Her slow-burning, midlife rage at all the little things generates a prickly fog of irritation that settles over the entire movie. It's difficult to judge how much of this is deliberate. But they, too, are worried that their lives have taken a wrong turn. Can you be happy without money? Jennifer Aniston An exasperatingly awful performance from Jennifer Aniston puts the tin lid on this humourless and self-pitying ensemble comedy, which has a cop-out ending of such spectacular and fundamental dishonesty that I felt like flinging my nachos at the screen.
Poor Olivia is a source of worry and embarrassment to her circle of female friends, who are all rich - or at least very nicely off - thanks to their own entrepreneurial talents and their marriages to rich men. Catherine Keener is Christine, who co-writes lucrative screenplays with her husband David Jason Isaacs , facing each other over matching Macs, querulously bouncing ideas around and having disagreements about dialogue that mask deeper disagreements about their own relationship. She is irritated beyond measure at slow waiters, at people who cut in queues ahead of her, at drivers who nab her parking spot and mothers who bring their children to her house for playdates with their nannies, but fail to acknowledge her in the street. Her face is like a wet weekend. The result is a thin and meagre brew. Joan Cusack plays Frannie, the richest of the peer group, married to Matt Greg Germann , and in the habit of buying thousand-dollar plates at charity dinners. Share via Email 'Face is like a wet weekend' I think Holofcener sits down to create talky, metropolitan comedies with a dark edge, but something different always pours out of her laptop, and from the mouths of the actresses she directs: Of course, these people are supposed to have flaws: They are people who need a kick in the pants, and are exceeded in awfulness only by the cast of Denys Arcand's ineffably ghastly and overrated midlife drama The Barbarian Invasions. This is a performer who does not have the Midas touch I thought she had: But it simply isn't possible to care at all about them, swathed as they are in self-congratulation and grumpy anxiety. It comes from writer-director Nicole Holofcener, who was responsible for Walking and Talking and Lovely and Amazing, and has gained a reputation for writing witty, mature roles for witty, mature women. They've got cash - but most of their marriages are a disappointment. So she quit and took a job as a maid as a stopgap, got into a bad relationship with a personal trainer Scott Caan - and is dismayed to discover that a maid is what she has become and, somewhere along the line, her life has taken a very wrong turning. Can you be friends with people much poorer than you? She plays Olivia, a former teacher at a chi-chi private school, who couldn't take the humiliation of being so much poorer than the obnoxious kids she taught. Once one of the brightest, funniest stars of the small screen, she is here only slightly more animated than a haddock on a slab. This is a movie from which genuine humour and insight have been removed like caffeine from coffee. It is Holofcener's ill fortune to have created Christine and David at the same time as Jonathan Franzen has published Two's Company, his short story about two co-writers of a sitcom, in which there is far more wit and insight about relationship dysfunction surfacing in a writing partnership. Can you be happy without money? You've heard of the Ya-Ya Sisterhood - these women are the Nah-Nah Sisterhood, perpetually creating a not-that-funny buzz of discontent and inviting us to apply the balm of sympathetic laughter. The issue is dispatched with the aforementioned evasive plot twist of monumental effrontery. McDormand sets the film's keynote with her obsession with other people's discourtesies. The most unhappy is Jane, played by Frances McDormand , an independent fashion designer and mother-of-one married to Aaron Simon McBurney a slightly camp bathroom-products entrepreneur who is universally suspected of being gay and in denial about it. Jennifer Aniston An exasperatingly awful performance from Jennifer Aniston puts the tin lid on this humourless and self-pitying ensemble comedy, which has a cop-out ending of such spectacular and fundamental dishonesty that I felt like flinging my nachos at the screen. And the rain pours thinly down all the time she is on screen.
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